| When you are on the peaks of the gigantic, dark | | | | sensation made more intense by the celestial limit |
| rocks which are the sites of the terraces of the | | | | of the horizon which houses the mute and lofty |
| monasteries of Meteora and as your eye takes in | | | | dome of the heavens. Your own soul begins to |
| the peaceful plain of Thessaly, your heart beats | | | | rise to that. heavenly dome and accommodate |
| with an altered pace. It seems as though these | | | | itself to the boundlessness of that silent plain, |
| vast rock formations which rear up around you | | | | while a variety of emotions crowd in upon the |
| are ready for some mighty battle in which their | | | | heart. Through this antithesis of emotions of awe |
| every movement will create some cosmic | | | | and wonder a feeling of ecstasy springs up and |
| upheaval in the Thessalian plain, which reclines | | | | this is converted into 'fear and astonishment' if a |
| below in all its greenery as though nothing at all | | | | storm should suddenly break. The sky |
| were happening. The ravishing spectacle of the | | | | immediately darkens and the rain begins to pour |
| rocks with their green carpet around them | | | | down ceaselessly. The wind begins to whistle |
| produces feelings of wonder mixed with awe, | | | | around you and begins to beat relentlessly on the |
| precisely because from up there man feels his | | | | vast rocks scoured by the rain, while lightning like |
| helplessness before the wonders of the Creator. | | | | snakes furrows the horizon. The torrential rain and |
| At the same time one has a sense of the sublime | | | | the strong wind on the one hand and the mass of |
| and the beautiful. The beautiful can be expressed | | | | the rocks which surround you on the other create |
| in measurable terms - its concent and form are in | | | | within you a mystical symphony and lead you |
| complete harmony. Its beauty is static. As the | | | | involuntarily to the awakening of your |
| Parthenon is in art, so in nature the quiet plain of | | | | subconscious, under the rule of the silence. This |
| Thessaly lies before one in the embrace of the | | | | interior silence, though you try to stifle its voice in |
| Peneus river. The element of the sublime comes | | | | the noise of the rain, the wind and the thunder, |
| from the sight of those lofty rocks on whose | | | | begins to speak to you in a thousand different |
| summit you are and where you feel that you are | | | | ways. Then you notice that the water which |
| between earth and heaven. As you look down at | | | | rages against the rocks produces small cataracts |
| the green plain, you are aware of an ideal balance, | | | | which roar down among the rocks and their |
| while an Olympian calm takes hold of you at the | | | | outcrops with a primeval clamour. |
| sight of this wonderful creation. As you gaze at | | | | The floods which lash all around form dangerous |
| the gigantic rocks which rise around you, you | | | | rivulets and create small torrents which find their |
| experience a state of spiritual elevation and | | | | way into the Peneus. |
| reflection. | | | | At that moment you feel exaltation, under the |
| At the same time, the sense of the sublime | | | | influence of the symphony created by the |
| creates in each monk and in each visitor a great | | | | combination of rain, thunder and wind. You |
| tenseness of the emotions which seek to find | | | | shudder to the depths of your being when the |
| some outlet. This outlet comes after strong | | | | thunder jolts the green and ashen-coloured rocks |
| feelings which have spiritual implications for the | | | | and the lightning suddenly illuminates them to their |
| mystical life and the peace of Meteora. Thus the | | | | base. |
| beauty of the plain addresses itself to the | | | | You feel a spiritual upheaval when you participate |
| perception and the intellect, while the sublime | | | | in these commotions of the heavens which e |
| speaks to the emotions and the soul, in order to | | | | Creator directs. It is then that you feel lost, |
| be better understood. | | | | because certainly you cannot oppose yourself to |
| The view from the monasteries of St. Stephen | | | | the battle of the elements, nor can you take it in |
| and the Great Meteoro is indescribable. If you | | | | with your mind. You feel the need to be down in |
| pause n there a while to look below you, you will | | | | the plain to participate aesthetically in the action of |
| experience an inner peace and be led to higher | | | | the elements, as when you listen to the dramatic |
| spheres. The view which you will have is hard to | | | | climax of a musical symphony. Then, safe from |
| conceive in its extent and unparalleled in grandeur. | | | | the elements of nature and without the |
| It is perhaps the best compensation for the | | | | trumpet-calls of terror-and the fear of the |
| difficulty of the ascent. Picturesque Kastraki lies 'at | | | | lightning, you experience a spiritual force of |
| your feet', historic Kalambaka is 'in front of you' | | | | superiority rising up within you which mounts |
| and the green and peaceful plain of Thessaly | | | | freely on high, full of joy and drunk with ecstasy. |
| virtually surrounds you. A little further off the | | | | In the distance, facing the monasteries of |
| River Peneus, which for so many centuries has | | | | Meteora, Koziakas, the subject of many songs, |
| played along its charming course, creates a | | | | rises. Its great, sharp rocks and innumerable |
| phenomenon unique in beauty and delight. | | | | peaks are sometimes struggling to pierce the |
| Everything up there evinces a certain grandeur | | | | clouds and at others to lance the bright blue |
| and, taken all together, produces an imposing | | | | Greek sky. The sparkling white villages at the foot |
| harmony. The greenness of the plain in its | | | | of Koziakas and in the places sheltered from the |
| abundance is restful, the quiet is purifying, the | | | | North winds on the plain complete the beauty of |
| impressiveness of the place is overwhelming, its | | | | the land of Thessaly. |
| sanctity is a blessing and all together these lift you | | | | As you look at all this and see around you a |
| above material things and bring you close to the | | | | whole forest of green and ash-coloured masses, |
| Creator. Your soul, broken down by contradictions | | | | on the peaks of which are monasteries with roofs |
| and uncertainties and wearied by the constant | | | | and caves, wooden galleries suspended in the air |
| attempt to satisfy what is unfulfilled, longs for the | | | | and balconies which crouch on the edge of the |
| unknown, the feelings for which create a saving | | | | abyss, you do not known what to marvel at first. |
| counterbalance. | | | | You are surprised by their vastness and absorbed |
| If you then turn your gaze to the heavens, you | | | | by their grandeur, allowing yourself experiences |
| will be overtaken by a different sensation - a | | | | which are unrepeatable. |